Big Dog Daddy

Description

He still lives close to where he was born with his wife of over twenty years and their family. He still speaks his mind on most things straight up and you d be hard pressed to find a more interesting person for conversation on many subjects over a beer, yet, at the same time.as an artist he s sold over 30,000,000 albums. This three time BMI Songwriter of the Year has amassed an unparalleled 50,000,000 spins. His career totals 22 #1 Singles. He was the Most-played Recording Artist on Country Radio per Nielsen BDS monitored airplay in 2003, 2004, 2005 and 2006. He is Pollstar s #1 Country Ticket Seller 2 times this century and is one of only five artists in 40 years to win back to back ACM Entertainer of the Year awards. He is the National Spokesperson for Ford Trucks who ve sponsored his tour the last four years. He s achieved a level of artistic freedom and a relationship with his fans that confirm one thing over and over again . Toby Keith is the Big Dog Daddy.On his first totally controlled album for his own label, Toby Keith adds another title to his résumé: producer. Throughout, the former Oklahoma wildcatter, who s taken heat for his blustery patriotism and outspoken remarks, seems to be seeking new respect, shifting the focus off of politics and grandstanding and back to his talents as a musician. While his last album, White Trash with Money, found him flirting with R&B and adding horns for a bit more bump, his latest effort finds him nearly in a singer-songwriter mood, taking more time to craft the sound of the tracks and laying down his own harmonies. He s still relying on gimmicky wordplay and cartoon puffery for his full-tilt radio numbers ("High Maintenance Woman," "Big Dog Daddy"), but he also showcases the sensitive, ballad-heavy side of his personality that hasn t been as apparent since the 90s ("Does That Blue Moon Ever Shine on You," "We Were in Love"). He achieves this with some fine cowriting--the winsome "I Know She Hung the Moon" and "Walk It Off," and the lusty "Burnin Moonlight." He also finds two excellent covers, Fred Eaglesmith s "White Rose" (which combines nostalgia for full-service gas stations with that of a teen s coming of age) and the thoughtful Craig Wiseman/Chris Wallin ballad "Love Me If You Can." The latter, a quiet social commentary, revisits Keith s familiar theme of holding one s ground, but with a far more compassionate approach than he s tried before. Consider it a meditation from a brash king of the hill who hasn t forgotten how to be humble. --Alanna Nash